Meg Cabot - Size 12 Is Not Fat

• Название: Size 12 Is Not Fat
• Автор: Meg Cabot
• Жанр: Современные любовные романы

HEATHER WELLS ROCKS!

Or, at least, she did. That was before she left the pop-idol life behind after she gained a dress size or two—and lost a boyfriend, a recording contract, and her life savings (when Mom took the money and ran off to Argentina). Now that the glamour and glory days of endless mall appearances are in the past, Heather's perfectly happy with her new size 12 shape (the average for the American woman!) and her new job as an assistant dorm director at one of New York's top colleges. That is, until the dead body of a female student from Heather's residence hall is discovered at the bottom of an elevator shaft.

The cops and the college president are ready to chalk the death off as an accident, the result of reckless youthful mischief. But Heather knows teenage girls… and girls do not elevator surf. Yet no one wants to listen—not the police, her colleagues, or the P.I. who owns the brownstone where she lives—even when more students start turning up dead in equally ordinary and subtly sinister ways. So Heather makes the decision to take on yet another new career: as spunky girl detective!

But her new job comes with few benefits, no cheering crowds, and lots of liabilities, some of them potentially fatal. And nothing ticks off a killer more than a portly ex-pop star who's sticking her nose where it doesn't belong.

---

But that doesn’t keep Pete’s face from turning beet red every time one of the students, bitter over not being allowed into the building with their state-of-the-art halogen lamps (fire hazard), refers to him as a “rent-a-cop.” Which isn’t fair, because Pete is really, really good at his job. The only time pizza delivery guys ever make it inside Fischer Hall to stick menus under everyone’s door is when Pete’s not on duty.

Not that he doesn’t have the biggest heart in the world. When kids come down from their rooms, disgustedly holding glue traps on which live mice are trapped, Pete has been known to take the traps out to the park and pour oil onto them to free their little paws and let them go. He can’t stand the idea of anyone—or anything—dying on his watch.

“Coroner’ll run tests for alcohol and drugs, I’m sure,” he says, trying to sound casual, and failing. “If he ever gets here, that is.”

I’m horrified.

“You mean she… she’s still here? I mean, it—the body?”

Pete nods. “Downstairs. Bottom of the elevator shaft. That’s where they found her.”

“That’s where who found her?” I ask.

“The fire department,” Pete says. “When someone reported seeing her.”

“Seeing her fall?”

“No. Seeing her lying there. Someone looked down the crack—you know, between the floor and the elevator car—and saw her.”

I feel shaken. “You mean nobody reported it when it happened? The people who were with her?”

“What people?” Pete wants to know.

“The people she was elevator surfing with,” I say. “She had to be with someone. Nobody plays that stupid game alone. They didn’t come down to report it?”

“Nobody said nothing to me,” Pete says, “until this morning when a kid saw her through the crack.”

I am appalled.

“You mean she could have been lying down there for hours?” I ask, my voice cracking a little.

“Not alive,” Pete says, getting my drift right away. “She landed headfirst.”

“Santa Maria,” Magda says, and crosses herself.

I am only slightly less appalled. “So… then how’d they know who it was?”

“Had her school ID in her pocket,” Pete explains.

“Well, at least she was thinking ahead,” Magda says.

“Magda!” I’m shocked, but Magda just shrugs.

“It’s true. If you are going to play such a stupid game, at least keep ID on you, so they can identify your body later, right?”

Before either Pete or I can reply, Gerald, the dining director, comes popping out of the cafeteria, looking for his wayward cashier.

“Magda,” he says, when he finally spots her. “Whadduyadoing? Cops said they’re gonna let us open up again any minute and I got no one on the register.”

“Oh, I’ll be right there, honey,” Magda calls to him. Then, as soon as he’s stomped out of earshot, she adds, “Dickhead.” Then, with an apologetic waggle of her nails at Pete and me, Magda goes back to her seat behind the cash register in the student cafeteria around the corner from the guard’s desk.

“Heather?”

I look around, and see one of the student workers at the reception desk gesturing to me desperately. The reception desk is the hub of the building, where the residents’ mail is sorted, where visitors can call up to their friends’ rooms, and where all building emergencies are supposed to be reported. One of my first duties after being hired had been to type up a long list of phone numbers that the reception desk employees were to refer to in the event of an emergency of any kind (apparently, Justine had been too busy using college funds to buy ceramic heaters for all of her friends ever to get around to this).

Fire? The number for the fire station was listed.

Rape? The number for the campus’s rape hotline was listed.

Theft? The number for the Sixth Precinct.

People falling off the top of one of the elevators? There’s no number for that.

“Heather.” The student worker, Tina, sounds as whiny today as she did the first day I met her, when I told her she couldn’t put people on hold while she finished the round of Tetris she was playing on her Game Boy (Justine had never had a problem with this, I was told). “When’re they gonna get rid of that girl’s body? I’m losing it, knowing she’s, like, still DOWN there.”

“We saw her roommate.” Brad—the guy with the misfortune to be the resident assistant on duty this weekend, meaning he has to stay in the building at all times, in case he’s needed… like in the event of a student death—drops his voice conspiratorially as he leans across the desk toward me. “She said she didn’t even know Beth—that’s the dead girl—she said she didn’t even know Bethknew about surfing. She said she had no idea Beth hung out with that crowd. She said Beth was kindapreppie.”

“Well,” I say, lamely. I can tell the kids are looking for some kind of words of comfort from me. But what do I know about helping kids cope with the death of a classmate? I’m as freaked as either one of them. “I guess it just goes to show you never really quite know someone as well as you think you do, doesn’t it?”

“Yeah, but going for a joyride on top of an elevator?” Tina shakes her head. “She musta been crazy.”

“Prozac candidate,” Brad somberly agrees, exhibiting some of that sensitivity training the housing department has drilled so hard into their RAs’ heads.

“Heather?”

I turn to see Rachel’s graduate assistant, Sarah, coming toward me, a thick file in her hands. Garbed as always in the height of New York College graduate student chic—overalls and Uggs—she grabs my arm and squeezes.

“Ohmigod,” Sarah says, making no attempt whatsoever to lower her voice so that it isn’t audible to everyone on the entire first floor. “Can you believe it? The phones are ringing off the hook back in the office. All these parents are calling to make sure it wasn’t their kid. But Rachel says we can’t confirm the deceased’s identity until the coroner arrives. Even though we know who it is. I mean, Rachel had me get her file and told me to give it to Dr. Flynn. And would you look at this file?”

Sarah waves the thickly packed manila file. Elizabeth Kellogg had a record in the hall director’s office, which means that she’d either gotten in trouble for something or been ill at some point during the school year…

… which is odd, because Elizabeth was a freshman, and the fall semester had only just begun.

“Getta loada this.” Sarah is eager to share all she knows with me, Brad, and Tina. The latter two are listening to her with wide eyes. Pete, over at the guard’s desk, is acting like he’s busy watching his monitors. But I know he’s listening, too. “Her mother called Rachel, all bent out of shape because we allow residents to have any guests they want, and she didn’t want Elizabeth to be able to sign in boys. Apparently Mom expected her daughter to remain a virgin until marriage. She wanted Rachel to make it so that Elizabeth was only to be allowed to sign in girls. Obviously there are issues at home, but whatever—”

It’s the job of the GA—or graduate assistant—to assist the director in the day-to-day operations of the residence hall. In return, GAs receive free room and board and practical experience in higher education, which is generally their chosen field.

Sarah’s getting a lot more practical experience in the field here in Fischer Hall than she’d bargained on, what with a dead girl and all.

“Clearly there was some major mother-daughter rivalry going on there,” Sarah informs us. “I mean, you could tell Mrs. Kellogg was jealous because her looks are fading while her daughter’s—”

Sarah’s undergrad degree is in sociology. Sarah thinks that I suffer from low esteem. She told me this the day she met me, at check-in two weeks earlier, when she went to shake my hand, then cried, “Oh my God, you’re that Heather Wells?”

When I admitted that I was, then told her—when she asked what on earth I was doing working in a college residence hall (unlike me, Sarah never messes up and calls it a dorm)—that I was hoping to get a BA one of these days, she said, “You don’t need to go to college. What you need to work on are your abandonment issues and the feelings of inadequacy you must feel for being dropped from your label and robbed by your mother.”

Which is kind of funny, since what I feel I need to work on most are my feelings of dislike for Sarah.

Fortunately Dr. Flynn, the housing department’s on-staff psychologist, comes hurtling toward us just then, his briefcase overflowing with paperwork.

“Is that the deceased’s file?” he demands, by way of greeting. “I’d like to see it before I talk to the roommate and call the parents.”

Sarah hands him the file. As Dr. Flynn flips through it, he suddenly wrinkles his nose, then asks, “What is that smell?”

“Um,” I say. “Mrs. Allington sort of—well, she, um… ”

“She yorked,” Brad says. “In the planter over there.”

Dr. Flynn sighs. “Not again.” His cell phone chimes, and he says, “Excuse me,” and reaches for it.

At the same moment, the reception desk phone rings. Everyone looks down at it. When no one else reaches for it, I do.

“Fischer Hall,” I say.

The voice on the other end of the phone isn’t one I recognize.

“Yes, is this that dormitory located on Washington Square West?”

“This is a residence hall, yes,” I reply, remembering, for once, my training.

“I was wondering if I could speak to someone about the tragedy that occurred there earlier today,” says the unfamiliar voice.

Tragedy?I immediately become suspicious.

“Are you a reporter?” I ask. At this point in my life, I can sniff them out a mile away.

“Well, yes, I’m with the Post— ”

“Then you’ll have to get in touch with the Press Relations Department. No one here has any comment. Good-bye.” I slam down the receiver.

Brad and Tina are staring at me.

“Wow,” Brad says. “You’re good.”

Sarah gives her glasses a push, since they’ve started to slide down her nose.

“She ought to be,” she says. “Considering what she’s had to deal with. The paparazzi wasn’t exactly kind, were they, Heather? Especially when you walked in and found Jordan Cartwright receiving fellatio from… who was it? Oh yes. Tania Trace.”

“Wow,” I say, gazing at Sarah with genuine wonder. “You really put that photographic memory of yours to good use, don’t you, Sarah?”

Sarah smiles modestly while Tina’s jaw drops.

“Heather, you went out with Jordan Cartwright?” she cries.

“You caught him getting head from Tania Trace?” Brad looks as happy as if someone’s just dropped a hundred-dollar bill in his lap.

“Um,” I say. It’s not like I have much of a choice. They can easily Google it. “Yeah. It was a long time ago.”

Then I excuse myself to go search for a soda, hoping a combined jolt of caffeine and artificial sweeteners might make me feel less like causing there to be yet another death among the building’s student population.

4

Don’t Tell

I’m begging you

It’s a secret and if you

Don’t Tell

I’ll make you glad

You didn’t

Don’t Tell

No one knows

I’ve exposed my soul

To you

So don’t tell

“Don’t Tell”

Performed by Heather Wells

Composed by Valdez/Caputo

From the album Sugar Rush

Cartwright Records

The closest soda machine is located in the TV lounge, where all of the college’s crisis management people are congregated. I don’t want to risk asking Magda for a free one from the café when she’s already in trouble with her boss.

I only recognize a few of the many administrators in the lounge, and then only from being interviewed by them when I’d applied for my job. One of them, Dr. Jessup, the head of the housing department, detaches himself from another administrator’s side when he notices me, and comes over, looking very different in his weekend wear of Izod shirt and Dockers than he did in his usual charcoal suits.

“Heather,” Dr. Jessup says, his deep voice gruff. “How’s it going?”

“Okay,” I reply. I’ve already jammed a dollar into the machine, so it’s too late to run away—though I’d like to, since everyone in the room is staring at me, like,Who is that girl? Don’t I know her from somewhere? And what’s she doing here?

Instead of running, I make a selection. The sound of the can hitting the slot at the bottom of the machine is loud in the TV lounge, where conversation is muted out of respect for both the deceased and the grieving, and where the TV, which normally blasts MTV 2 24/7, has been turned off.

I retrieve my can from the machine and hold it in my hands, afraid to open it and attract more undue attention to myself by making noise.

“How do the kids seem to you?” Dr. Jessup wants to know. “In general?”

“I just got here,” I say. “But everybody seems pretty shaken up. Which is, you know, understandable, considering the fact that there’s a dead girl at the bottom of the elevator shaft.”

Dr. Jessup widens his eyes and motions for me to keep my voice down, even though I hadn’t been speaking above a whisper. I look around, and realize there are some administrative bigwigs in the TV lounge. Dr. Jessup is hypersensitive about his department being perceived as a caring, student-oriented one. He prides himself on his ability to relate to the younger generation. I realized this during my first interview, when he’d narrowed his gray eyes at me and asked the inevitable question, the one that makes me want to throw things, but that I can’t seem to escape: “Don’t I know you from somewhere?”

Everyone thinks they’ve seen me somewhere before. They just can’t ever figure out where. I get “Didn’t you go to the prom with my brother?” a lot. Also, “Weren’t you and I in one of the same classes in college?”

Which is especially weird, because I never attended a single prom, much less college.

“I used to be a singer” was what I’d said to Dr. Jessup, the day of my job interview. “A, um, pop singer. When I was, you know. A teenager.”

“Ah, yes,” Dr. Jessup had said. “‘Sugar Rush.’ That’s what I thought, but I wasn’t sure. Can I ask you a question?”

I’d twisted uncomfortably in my seat, knowing what was coming. “Sure.”

“Why are you applying for a job in a residence hall?”

I’d cleared my throat.

I wish VH1 would do a Behind the Music on me. Because then I wouldn’t have to. Explain to people, I mean.

But it’s not like I’m Behind the Music material. I was never famous enough for that. I was never a Britney or a Christina. I was barely even an Avril. I was just a teenager with a healthy set of lungs on her, who was in the right place at the right time.