Greg Iles - The Devils Punchbowl

• Название: The Devils Punchbowl
• Автор: Greg Iles
• Жанр: Прочая старинная литература

With his gift for crafting “a keep-you engaged- to-the-very-last-page thriller” (USA Today) at full throttle, Greg Iles brings back the unforgettable Penn Cage in this electrifying suspense masterpiece.

A new day has dawned . . . but the darkest evils live forever in the murky depths of a Southern town.

Penn Cage was elected mayor of Natchez, Mississippi—the hometown he returned to after the death of his wife—on a tide of support for change. Two years into his term, casino gambling has proved a sure bet for bringing new jobs and fresh money to this fading jewel of the Old South. But deep inside the Magnolia Queen, a fantastical repurposed steamboat, a depraved hidden world draws high-stakes players with money to burn on their unquenchable taste for blood sport and the dark vices that go with it. When an old high school friend hands him blood-chilling evidence, Penn alone must beat the odds tracking a sophisticated killer who counters his every move, placing those nearest to him—including his young daughter, his renowned physician father, and a lover from the past—in grave danger, and all at the risk of jeopardizing forever the town he loves.

From Publishers Weekly

Iles's third addition to the Penn Cage saga is an effective thriller that would have been even more satisfying at half its length. There is a lot of story to cover, with Cage now mayor of Natchez, Miss., battling to save his hometown, his family and his true love from the evil clutches of a pair of homicidal casino operators who are being protected by a homeland security bigwig. Dick Hill handles the large cast of characters effortlessly, adopting Southern accents that range from aristocratic (Cage and his elderly father) to redneck (assorted Natchez townsfolk). He provides the bad guys with their vocal flair, including an icy arrogance for the homeland security honcho, a soft Asian-tempered English for the daughter of an international villain and the rough Irish brogue of the two main antagonists. One of the latter pretends to be an upper-class Englishman and, in a moment of revelation, Hill does a smashing job of switching accents mid-sentence. 

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Golden Parachute Gaming is owned by a voting trust called Golden Flower LLC. Flipping to the back of the application, I see that it was signed only by the front partner—the L.A. entertainment lawyer—and not the “five percenters.” What stuck in my mind tonight was Tim’s comment about a Chinese billionaire’s son flying in from Macao to fight his dog in Mississippi. Why, I wondered, would a billionaire come so far to do something he could easily do in Macao? Was he simply seeking new competition? After all, for a man with a private jet, distance means little. But I'm almost sure I remember that two of the five percent partners in Golden Parachute were Chinese. By the time I learned this, the deal was so far along that I gave it little thought. I simply made this note in the margin and moved on, caught up in the next day’s business. No one wanted to rock the boat by then, not even, apparently, the gaming commission. But tonight, I realize, I need an answer to the question I wrote in this margin so long ago.

Who really owns Golden Parachute?

With a last swallow of diluted tea, I close the file and slip it behind my collection of Patrick O’Brian novels on the third shelf. As I walk upstairs, my thoughts and feelings about what I heard in the cemetery start to separate, like solids precipitating from a solution. On one hand, I don'’t doubt that Tim witnessed the horrors he described. On the other, if someone shook me awake at 4:00 a.m. and asked whether I was sure that Jessup hadn'’t started snorting coke again—or heroin or crystal meth or whatever he was doing before Julia Stanton got him straightened out—I would be hard-pressed to say I was. Most people who know us both would assume the worst about Tim. I don'’t, but it wouldn'’t be hard to convince myself that he’s dreamed up a conspiracy in which he can play the hero to belatedly make up for the real-life drama in which he played the villain.

During his first year at Ole Miss, Tim agreed to host two prospective freshmen from St. Stephen’s Prep, our alma mater, during a football weekend. Like a lot of other students, he made several high-speed trips to the county line to procure cold beer, which was not legally available in Oxford, Mississippi (and still isn’t). During his third beer run, Tim drove his Trans Am eighty-eight feet off the highway and into a pecan tree standing at the edge of a cotton field. Tim and one of the high school boys were wearing their seat belts; the third boy was not. The impact ejected him from the backseat through the front windshield and into the branches of the tree, where with any luck he died instantly. Because of the alcohol found at the scene, both sets of parents sued Jessup’s father, and Tim served a year in jail for manslaughter. Pleading the case down from vehicular homicide probably cost Dr. Jessup all the goodwill he’d built up in twenty years of practicing medicine, not to mention the cash that must have changed hands under the table. But despite the light sentence, things were never really the same for Tim after that. As his life slipped further and further off track, people blamed drugs, weakness of character, even his father, but in my gut I always knew it was the wreck that had ruined him.

Now, with his new wife’s help, Tim seems to have clawed his way back to a decent life. But a casino boat is probably a tough place for a guy with his past to stay clean.

Stop, says a voice in my head.

Stop blaming the messenger. Just because you don'’t want to hear what he said doesn’'t mean it’s not true. Remember the pictures.

A mangled dog. A half-naked teenager serving beer. A middle-aged man screwing the young girl on a board floor while four other men drink and watch. I saw those three images for only seconds, but I'’ll never forget them. When I close my eyes and recall them in detail, I feel nauseated. And that nausea is the reason I promised Tim that I’d help him.

As I walk down the hall to check on my daughter, a different sensation chills me. Fear. Raw fear. After twelve years in the Houston DA’s office, it’s a familiar feeling. As I told Tim, I’'ve run investigations using confidential informants, and more than one ended badly for the person wearing the wire. Highly trained FBI agents trip up under the pressure of living double lives, and even the best undercover agents can be burned by a random event. The reality of tonight’s meeting with Tim cannot be pushed aside: by encouraging him to proceed with his plan, I could be sending an impassioned amateur to his death.

I pause beside Annie’s door and peek through the crack. A pale green night-light limns her form, bunched beneath the covers. That she can sleep alone in her own room brings me an abiding sense of peace. After Sarah died, Annie not only had to sleep in my bed, but also had to be in direct physical contact with me. If her hand fell from my arm or hip, she’d jerk awake with night terrors. The peace she now enjoys is a testament to the soundness of my decision to bring her back here. Living near my father and mother brought Annie the gift once enjoyed by all societies that revered the extended family: a profound sense of security. That decision cost me my future with Caitlin, but Annie’s recovery has given me the strength to deal with that loss. And yet…tonight a nagging voice echoes endlessly beneath my conscious thoughts:

We’'ve stayed too long…

After I undress and brush my teeth, I walk to my bedroom window and gaze across sixty feet of space to the second floor of Caitlin’s house. Is she there? Did she fall asleep with the light on? Or is she down at the Examiner offices, badgering the editor about the layout of tomorrow’s paper? This thought brings a smile, but then I realize Caitlin could just as easily be dancing at one of the bars on Main Street, or exercising her gift for irony at the expense of some pompous, nouveau-riche redneck who threw a balloon-race party. I feel a compulsion to walk down and check her garage for a rental car. Has eighteen months of separation from her turned me into a stalker? The reality is that she could pull up to her house right now with a man and disappear inside for a night of recreational sex behind that familiar curtain.

Christ.

As selfish as it sounds, this image has a more violent effect on my adrenal glands than the photos I viewed in the cemetery. If I'm this jealous, can I possibly be over her? One thing is sure: I'’ll be damned—truly damned—if I stand here mooning at her light like a latter-day Gatsby, until the very scene I fear transpires before me. Caitlin left me because I believed the path to my future lay through the past. So what the hell is she doing back here, where the past is never past?

As I drift toward sleep, the images from Tim’s cell phone snapshots rise again, but they seem remote, like evidence dropped on my desk by cops I dealt with in Houston. Can young girls be raped and dogs be slaughtered within sight of the town I love so dearly? In the foggy frontier between sleep and wakefulness the idea seems farfetched, yet one burden of my legal experience is the knowledge that savage crimes occur in the most benign settings, that screams go unheard, that pleas for mercy are ignored, even relished.

When thoughts like these trouble my passage into sleep, I use a trick taught me by a sixties-era rock musician I saved from going to jail in Houston. Whenever drug withdrawal sent him into paroxysms of pain and need, whenever the demons came for him, he would picture a virgin field of ice, blue-white and impossibly clean, so remote that no footprint had ever marred its surface. He would focus on that scene until he felt himself inside it, and sometimes peace would come. To my surprise, I found this sometimes works for me as well. But tonight, as I carefully construct my Zen-like sanctuary, I cannot keep the demons out. Dark shapes move beneath the ice like predators prowling a vast sea, ever alert for the shadows of prey on the white sheet above.

Tonight I'm on the ice, I realize, one more shadow to be hunted. A penumbra the size of a small car flashes beneath me, and I run. Though I lie supine in bed, my heart thumps in my chest, and the blood rushes through my veins. Far ahead, I see a blue mark on the

ice. A hole. Beside it Tim Jessup stands shirtless and blue from the cold. As I crunch toward him, he removes his pants and looks down into the hole. I shout for him to wait, but he doesn’'t hear. He sits down, dangles his legs in the water, then, with a gentle shove like a boy edging himself off a roof, drops through the blue-black opening. I start to scream, but a new vision stops me. Stark against the horizon, a wolf stands watching me. His fur is bone white, and his eyes gleam with unsettling intelligence. I try to stop running, but I slide forward, hopelessly out of control. As I come to rest, the wolf begins to move, walking at first, then loping toward me with single-minded purpose. His eyes transfix me, and as I try to force my legs to backpedal, I hear Tim’s hysterical voice crying, “You don'’t know, man! You don'’t know….

”

CHAPTER

6

Julia sits at her kitchen table, staring at a Ziploc sandwich bag filled with speckled pills and white powder. She found it an hour ago, when the running toilet got on her nerves badly enough to make her remove the tank cover. The baggie was sealed inside a small Tupperware container weighted with a handful of bolts. The edge of the Tupperware lid was keeping the toilet flapper from sealing. Tim had been clean for so long that the first moments after lifting the container out of the tank filled Julia with confusion. But after removing the lid, she’d felt her universe imploding as surely as if a black hole had swept into it.

She’d set the baggie on the kitchen table and simply stared at it for a while, shivering with anger and her sense of betrayal. But mostly she felt fear, because she hadn'’t seen any sign that Tim was using again. To stop her hands from shaking, she got out her crocheting needle and tried to crochet the way her grandmother had taught her, but her mind was unable to direct her fingers. So she waited, her gaze moving from the dope on the table to the clock on the stove, an endless motion of eyes that offered no solace.

Julia tenses now, listening for sound from the baby’s room. It’s 3:45 a.m., almost time for a feeding. She has preternatural hearing when it comes to her baby; Tim is constantly amazed by the things she picks up. It’s like she’s bound to the child by an invisible thread, a silken strand like a spider’s web, and if little Timmy moves, it pulls something down in Julia’s belly. She knows what that something is.

When you lose a child and God grants you another, you take no chances. She feels the same way about Tim, but on that score there isn’t a lot she can do. Someone has to stay with the baby. She’s been worried recently, but not about drugs—not for a long time. It infuriates her to think that she was afraid for Tim tonight. Before she found that baggie, she’d believed he was doing something about whatever he’d seen at work, and trying to protect her by not telling her details. But he’d been almost three hours late even then. She feels so stupid that she wants to tear out her hair or whip herself.

As if Penn Cage would stay out this late with Tim! Penn is home in bed with Libby Jensen, or somebody like her. Someone smart who can still laugh with innocence in her eyes, someone who has her shit together. Julia wonders briefly why Penn left Libby. Maybe Libby doesn’'t have her shit quite as together as she seems to. Maybe she doesn’'t really understand what’s important in life. Or maybe Penn just grew bored with her, the way men do.

Julia hadn'’t thought Tim was bored with her, but there’s the dope, right there on the table. What else could it mean? That he can’t cope? With what?

With happiness? With a loving wife and a beautiful son? This thought terrifies her. Julia once thought Tim was smarter than she, and he is, in book smartness. But what good is that when the issue is survival, as it has been for them? Julia’s common sense and fortitude have gotten them through some tough times. To sit facing the prospect of reliving the hell she thought long behind them is almost more than she can bear. She has gone from fury to terror and back a thousand times. The pills make her wonder about other women. A woman might push Tim back to using, if she was an addict, a woman from the boat, maybe—

An unfamiliar scraping sound brings Julia to full alertness, the yarn stretched taut between her fingers and the hook. That noise didn't come from the baby’s room—she’s sure of that. It sounded like someone raising the window in the guest room at the back of the house.

She swallows hard, then goes to the cabinet above the stove and takes down the pistol Tim stole from his father’s safe back when he was using. He’d tried to give it back later, but his father told him to keep it. The gun is heavy and black, but Julia grips it firmly in her flexed fist and tiptoes to the back of the house.

Terror hits her, gluing her bare feet to the floor. She can hear shoes moving behind the door. They creak as the intruder shifts his weight. Could it be the police? No—they would crash through the door. It might be another junkie, coming to steal Tim’s stash. When the window slides back down, Julia tightens her finger on the trigger and almost fires through the door.

She’s on the verge of bolting for the baby’s crib when she realizes that the intruder must be Tim, because there’s no light on in the guest room, yet the person inside is moving with assurance. She slides back three steps and aims the pistol at the door. If it opens and anyone but Tim appears, she will fire. She hears a muttered curse, and then the door opens.

Tim jerks as though he’s been hit with a cattle prod when he sees the gun pointed at his face. Then suddenly he is apologizing, begging her to forgive him. She’s so angry that she wants to shoot him, but her relief is even stronger.

“Where were you?” she cries in a squelched scream. “It’s four in the morning!”

“Hey, hey,” he says soothingly, throwing some balled-up clothes onto the floor. “It’s going to be all right now.”

“Bullshit!” she hisses. “I almost shot you! You fucking liar! Liar liar LIAR!”

Tim’s forehead wrinkles with puzzlement. “What are you talking about? I’'ve been with Penn, honey. You don'’t want to know more than that.”

Julia wipes her eyes with a quivering hand and looks at him the way she used to when she had to manage every moment of his life to keep him from sliding back into the abyss. She means to ask about the drugs, but what she says is “Just with Penn?”

Something in the quick blinking of his eyes tells her that whatever follows is going to be a lie. As she turns away, the fine cracks that have accumulated in her trust over the past weeks give way, and the true fragility of her existence is revealed. She stifles a wail, then goes to the kitchen cupboard and takes out a bottle of Isomil to heat on the stove.