Joe Haldeman - Forever Peace

• Название: Forever Peace
• Автор: Joe Haldeman
• Жанр: Научная Фантастика

Copyright © Joe Haldeman 1997

Version 1.0

1998 Hugo Award Winner

1999 Nebula Award Winner

This novel is for two editors: John W. Campbell, who rejected a story because he thought it was absurd to write about American women who fight and die in combat, and Ben Bova, who didn't.

Caveat lector: This book is not a continuation of my 1975 novel The Forever War. From the author's point of view it is a kind of sequel, though, examining some of that novel's problems from an angle that didn't exist twenty years ago.

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Julian's Costa Rica was anomalous. The country had managed to stay out of the war early on, maintaining the neutrality that had kept it out of the twentieth century's cataclysms. But its geographic location between Panama, the only Alliance stronghold in Central America, and Nicaragua, the hemisphere's most powerful Ngumi nation, finally dragged it into the war. At first, most of the patriotic rebels spoke with a suspicious Ni-caraguan accent. But then there was a charismatic leader and an assassination-both engineered by Ngumi, the Alliance claimed-and before long the forests and fields were filled with young men, and some women, ready to risk their lives to protect their land against the cynical capitalists and their puppets. Against the huge bulletproof giants who stalked the jungle quiet as cats; who could level a town in minutes.

Julian considered himself a political realist. He didn't swallow the facile propaganda of his own side, but the other side was just plain doomed; their leaders should be making deals with the Alliance rather than annoying it. When they nuked Atlanta they hammered the last nail into their coffin.

If indeed Ngumi had done it. No rebel group claimed responsibility, and Nairobi said it was close to being able to prove that the bomb had come from the Alliance nuclear archives: they had sacrificed five million American lives to pave the way for total war, total annihilation.

But Julian wondered about the nature of the proof, that they could be "close" to it and not be able to say anything specific. He didn't rule out the possibility that there were people on his own side insane enough to blow up one of their own cities. But he did wonder how such a thing could be kept secret for long. A lot of people would have to be involved.

Of course that could be dealt with. People who would murder five million strangers could sacrifice a few dozen friends, a few hundred coconspirators.

And so it went around and around, as it had in everybody's thoughts in the months since Atlanta, Sao Paulo, and Mandelaville. Would some actual proof emerge? Would another city be snuffed out tomorrow; and then another one, in retaliation?

It was a good time for those who owned rural real estate. People who could move were finding country life appealing.

THE FIRST FEW DAYS I'm back are usually nice and intense. The homecoming mood energizes our love life, and all the time I'm not with her I'm deeply immersed in the Jupiter Project, catching up. But a lot depends on the day of the week I come back, because Friday is always a singularity. Friday is the night of the Saturday Night Special.

That's the name of a restaurant up in the Hidalgo part of town, more expensive than I would normally patronize, and more pretentious: the theme of the place is the romanticized California Gang Era-grease, graffiti, and grime, safely distant from the table linen. As far as I'm concerned, those people were no different from today's whackers and slicers – if anything, worse, since they didn't have to worry about the federal death penalty for using guns. The waiters come around in leather jackets and meticulously grease-stained T-shirts, black jeans, and high boots. They say the wine list is the best in Houston.

I'm the youngest of the Saturday Night Special crowd by at least ten years; the only one who's not a full-time intellectual. I'm "Blaze's boy"; I don't know which of them knew or suspected I literally was her boy. I came as her friend and coworker, and everybody seemed to accept that.

My primary value to the group was the novelty of being a mechanic. That was doubly interesting to them, because a senior member of the group, Marty Larrin, was one of the designers of the cyberlink that made jacking, and thus soldierboys, possible.

Marty had been responsible for designing the system's security. Once a jack was installed, it was failsafed at a molecular level, literally impossible to modify, even for the original manufacturers; even for researchers like Marty. The nanocircuitry inside would scramble itself within a fraction of a second if any part of the complex device was tampered with. Then it would take another round of invasive surgery, with a one-in-ten chance of death or uselessness, to take the scrambled jack out and install a new one.

Marty was about sixty, the front half of his head shaved bald in a generation-old style, the rest of his white hair long except for the shaved circle around his jack. He was conventionally handsome, still; regular leading-man features, and it was obvious from the way he treated Amelia that they had a past. I once asked her how long ago that had been, the only such question I've ever asked her. She thought for a moment and said, "I guess you were out of grade school."

The population of the Saturday Night Special crowd varies from week to week. Marty is almost always there, along with his traditional antagonist, Franklin Asher, a mathematician with a chair in the philosophy department. Their jocular sniping goes back to when they were graduate students together; Amelia's known him nearly as long as Marty.

Belda Magyar is usually there, an odd duck but obviously one of the inner circle. She sits and listens with a stern, disapproving look, nursing a single glass of wine. Once or twice a night she makes a hilarious remark, without changing expression. She's the oldest, over ninety, a professor emeritus in the art department. She claims to remember having met Richard Nixon, when she was very small. He was big and scary, and gave her a book of matches, no doubt a White House souvenir, which her mother took away.

I liked Reza Pak, a shy chemist in his early forties, the only one besides Amelia with whom I socialized outside the club. We met occasionally to shoot pool or play tennis. He never mentioned Amelia and I never mentioned the boyfriend who always drove up to fetch him, exactly on time.

Reza, who also lived on campus, usually gave me and Amelia a ride to the club, but this Friday he was already uptown, so we called a cab. (Like most people, Amelia doesn't own a car and I've never even driven, except in Basic Training, and then only jacked with someone who knew how.) We could bike to Hidalgo in daylight, but coming back after dark would be suicide.

It started raining at sundown anyhow, and by the time we got to the club it was a full-fledged thunderstorm, with tornado watch. The club had an awning, but the rain was almost horizontal; we got drenched between the cab and the door.

Reza and Belda were already there, at our usual table in the grease section. We talked them into moving to the Club Room, where a phony-but-warm fireplace crackled.

Another semi-regular, Ray Booker, came in while we were relocating, also drenched. Ray was an engineer who worked with Marty Larrin on soldierboy technology, and a serious 'grass musician who played banjo all over the state, summers.

"Julian, you should of seen the Tenth today." Ray had a little warboy streak in him. "Delayed replay of an amphibious assault on Punta Patuca. We came, we saw, we kicked butt." He handed his wet overcoat and hat to the wheelie that had followed him in. "Almost no casualties."

"What's 'almost'?" Amelia said.

"Well, they ran into a shatterfield." He sat down heavily. "Three units lost both legs. But we got them evac'ed before the scavengers could get to them. One psych, a girl on her second or third mission."

"Wait," I said. "They used a shatterfield inside a city?"

"They sure as hell did. Brought down a whole block of slums, urban renewal. Of course they said we did it."

"How many dead?"

"Must be hundreds." Ray shook his head. "That's what got the girl, maybe. She was in the middle of it, immoblilized with both her legs off. Fought the rescue crew; wanted them to evac the civilians. They had to turn her off to get her out of there."

He asked the table for a scotch and soda and the rest of us put our orders in. No greasy waiters in this section. "Maybe she'll be okay. One of those things you have to learn to live with."

"We didn't do it," Reza said.

"Why would we? No military advantage, bad press. Shatterfield's a terror weapon, in a city."

"I'm surprised anyone survived," I said.

"Nobody on the ground; they were all instant chorizo. But those were four – and five-story buildings. People in the upper stories just had to survive the collapse.

"The Tenth set up a knockout perimeter with UN markers and called it a no-fire zone, collateral casualty, once we had all our soldierboys out. Dropped in a Red Cross med crawler and moved on.

"The shatterfield was their only real 'tech touch. The rest of it was old-fashioned, cut-off-and-concentrate tactics, which doesn't work on a group as well integrated as the Tenth. Good platoon coordination. Julian, you would have appreciated it. From the air it was like choreography."

"Maybe I'll check it out." I wouldn't; never did, unless I knew somebody in the fight.

"Any time," Ray said. "I've got two crystals of it, one jacked through Emily Vail, the company coordinator. The other's the commercial feed." They didn't show battles while they were happening, of course, since the enemy could jack in. The commercial feed was edited both for maximum drama and minimum disclosure. Normal people couldn't get individual mechanics' unedited feeds; lots of warboys would cheerfully kill for one. Ray had top-secret clearance and an unaltered jack. If a civilian or a spy got ahold of Emily Vail's crystal, they would see and feel a lot that wasn't on the commercial version, but selected perceptions and thoughts would be filtered out unless you had a jack like Ray's.

A live waiter in a clean tuxedo brought our drinks. I was splitting a jug of house red with Reza.

Ray raised a glass. "To peace," he said, actually without irony. "Welcome back, Julian." Amelia touched my knee with hers under the table.

The wine was pretty good, just astringent enough to make you consider a slightly more expensive one. "Easy week this time," I said, and Ray nodded. He always checked on me.

A couple of others showed up, and we broke down into the usual interlocking small conversational groups. Amelia moved over to sit with Belda and another man from fine arts, to talk about books. We usually did separate when it seemed natural.

I stayed with Reza and Ray; when Marty came in he gave Amelia a peck and joined the three of us. There was no love lost between him and Belda.

Marty was really soaked, his long white hair in lanky strings. "Had to park down the block," he said, dropping his sodden coat on the wheelie.

"Thought you were working late," Ray said. "This isn't late?" He ordered coffee and a sandwich. "I'm going back later, and so are you. Have a couple more scotches."

"What is it?" He pushed his scotch away a symbolic inch.

"Let's not talk shop. We have all night. But it's that girl you said you saw on the Vail crystal."

"The one who cracked?" I asked.

"Mm-hm. Why don't you crack, Julian? Get a discharge. We enjoy your company."

"Your platoon, too," Ray joked. "Nice bunch."

"How could she fit into your cross-linking studies?" I asked. "She must hardly have been linking at all."

"New deal we started while you were gone," Ray said. "We got a contract to study empathy failures. People who crack out of sympathy for the enemy."

"You may get Julian," Reza said. "He just loves them pedros."

"It doesn't correlate much with politics," Marty said. "And it's usually people in their first year or two. More often female than male. He's not a good candidate." The coffee came and he picked up the cup and blew on it. "So how about this weather? Clear and cool, they said."

"Love them Knicks," I said.

Reza nodded. "The square root of minus one." There was going to be no more talk of empathy failures that night.

JULIAN DIDN'T KNOW HOW selective the draft really was, finding people for specific mechanics' slots. There were a few hunter-killer platoons, but they tended to be hard to control, on a couple of levels. As platoons, they followed orders poorly, and they didn't integrate well "horizontally," with other platoons in the company. The individual mechanics in a hunter-killer platoon tended not to link strongly with one another.

None of this was surprising. They were made up of the same kind of people earlier armies chose for "wet work." You expected them to be independent and somewhat wild.

As Julian had observed, most platoons had at least one person who seemed like a really unlikely choice. In his outfit it was Candi, horrified by the war and unwilling to harm the enemy. They were called stabilizers.

Julian suspected she acted as a kind of conscience for the platoon, but it would be more accurate to call her a governor, like the governor on an engine. Platoons that didn't have one member like Candi had a tendency to run out of control, go "berserker." It happened sometimes with the hunter-killer ones, whose stabilizers couldn't be too pacifistic, and it was tactically a disaster. War is, according to von Clausewitz, the controlled use of force to bring about political ends. Uncontrolled force is as likely to harm as to help.

(There was a mythos, a commonsense observation, that the berserker episodes had a good effect in the long run, because they made the Ngumi more afraid of the soldierboys. Actually, the opposite was true, according to the people who studied the enemy's psychology. The soldierboys were most fearsome when they acted like actual machines, controlled from a distance. When they got angry or went crazy-acting like men in robot suits-they seemed beatable.)

More than half of the stablilizers did crack before their term was up. In most cases it was not a sudden process, but was preceded by a period of inattention and indecision. Marty and Ray would be reviewing the performance of stabilizers prior to their failure, to see whether there was some invariable indicator that would warn commanders that it was time for a replacement or modification.

The unbreakable jack fail-safe supposedly was to keep people from harming themselves or others, though everybody knew it was just to maintain the government monopoly. Like a lot of things that everybody knows, it wasn't true. It wasn't quite true that you couldn't modify a jack in place, either, but the changes were limited to memory-usually when a soldier saw something the army wanted him or her to forget. Only two of the Saturday Night Special group knew about that.

Sometimes they erased a soldier's memory of an event for security reasons; less often, for humane ones.

Almost all of Marty's work now was with the military, which made him uncomfortable. When he had started in the field, thirty years before, jacks were crude, expensive, and rare, used for medical and scientific research.

Most people still worked for a living then. A decade later, at least in the "first world," most jobs having to do with production and distribution of goods were obsolete or quaint. Nanotechnology had given us the nano-forge: ask it for a house, and then put it near a supply of sand and water. Come back tomorrow with your moving van. Ask it for a car, a book, a nail file. Before long, of course, you didn't have to ask it; it knew what people wanted, and how many people there were.

Of course, it could also make other nanoforges. But not for just anybody. Only for the government. You couldn't just roll up your sleeves and build yourself one, either, since the government also owned the secret of warm fusion, and without the abundant free power that came from that process, the nanoforge couldn't exist.